Petits claquements du précipice, double perspective d’un envol.

Elle pense, s’évoque en graviers protocolaires.

Origine d’un ailleurs toi


Small slamming of the precipice, double perspective of a flight.

She is thinking, evoking gravel protocol.

Origin of an elsewhere you


L’écran cataclysmique éteint, mise à l’index songeuse rêveuse abeille pétrochimique.

Pas d’inversion l’envol, l’an vole vers le paradoxe.

Bible déplafonnée.


The cataclysmic off screen, pensive blacklisting dreamy petrochemical bee.

No reverse the flight, the year flies to the paradox.

Removed Bible.

The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
Marcel Duchamp (1887–1968, France)